Going Gold

Going Gold: Polar Bears and Penguins

Christian Ward | 10 Mar 2010 09:00
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Once upon a time, people used to ask me what type of games I like, and I used to be able to answer them. Now I can only tell them what I don't like - real-time strategy games for one, turn-based strategy games for another - because these days it's easier to define games by what they are not, than what they actually are.

It probably won't be long before the question itself will be all but irrelevant for the everyday gamer. For example, what kind of movies do you like? Well, I like fantasy - but I hate Twilight. I like comedy - but not all those ridiculous teen ones. In fact, I like pretty much every kind of movie, so long as it's good - and bit-by-bit, games seem to be going down the same path. What works, works.

The blockbuster-ization of gaming has been an increasing trend across all platforms since around the launch of the Xbox 360. In any given two-week release schedule there is now a certain title that will be consumed by all types of gamer and dominate the headlines, often to the detriment of smaller, more niche titles (this week is God of War III's turn). Thus, while sales of Xbox 360 hardware are not spectacularly greater of those of the original Xbox, there has been a vast increase in the number of million-plus selling titles. And by the same token, games that don't make the top 20 are usually all but doomed to failure.

Modern blockbusters are blending so many different genres and modes that the distinctions between them are becoming meaningless. Are Assassin's Creed 2 and Uncharted 2 in the same genre, for example? I would say yes - they are both third-person action games with a heavy emphasis on platforming and strong narrative. You could also point to their differences - Uncharted's linearity versus AC2's sandboxing, the former's shooting and the latter's stabbing - but to the average consumer, the difference is as meaningless as that between doom metal and thrash metal are to me.

Gaming's narrow genres were never so much defined as stumbled upon by accident. Successful titles were aped shamelessly - Dante's Inferno may well be a shameless copy, but it's the kind of game that was commonplace back in the 8- and 16-bit days. Titles that only made the slightest changes to existing templates could still be very successful, and these became the genres we grew up with. Mario gave birth to Alex Kidd, Sonic, Mega Man, titles that would come to define the platform genre; later, Mario 64 spawned Banjo-Kazooie, Sonic Adventure and laterally series like Jak and Daxter or Rachet and Clank, games that defined their own 3D-platformer genre.

In a medium where you can create almost literally anything that your mind conceives, there is safety and comfort in tried-and-true conventions, both for publishers, but also for developers.

However, evidence seems to suggest that consumers pay very little attention to genre, much less mechanics. The average consumer has a very instinctive like/dislike reaction to games - in other words, they don't know much about art, but they know what they like. (It goes without saying that the type of person reading this article is not the type I am talking about.)

To the average consumer, there is surprisingly little difference in performing an assassination in Assassin's Creed 2 or taking out an enemy via sniper rifle in Modern Warfare 2. Though the more experienced user will struggle to see the similarities, to an inexperienced hand a well-implemented cycle of challenge-success-reward works on a very similar level across many types of game.

This week sees the Western launch of Final Fantasy XIII, a game that has bravely - but not altogether successfully - tried to pare back the RPG elements the series is famous for in favor of a more basic, linear experience. Presumably, Square Enix hopes this will appeal to today's instant-gratification user - and perhaps the reason they saw the need for this is that RPG-ness is no longer the sole preserve of the RPG.

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