CineMarterLegend - A Generic Gangster Flick With One Fantastic ElementCineMarter - RSS 2.0
Directed and written by Brian Helgeland. Produced by Tim Bevan, Eric Fellner, Chris Clark, Quentin Curtis, and Brian Oliver. Release date: November 20, 2015.
First thing's first: 2015's Legend is not the best movie to hold that title. Ridley Scott's Legend from the '80s is far, far better, and if, for some reason, you have "watch a movie called Legend" on your bucket list, that's the one to watch. And if you only have a quota of one to fill on your "gangster movies to watch in a year" Black Mass is the one you want from 2015. All of this sounds like Legend isn't a very good movie, and I guess that's because, for the most part, it's just an okay film. It only has one special element - which I'll get to later - and is mostly just mediocre.
Legend is about the Kray brothers, Ronnie and Reggie (Tom Hardy and Tom Hardy; yes, again), twin gangsters at the top of their game in the crime scene of East London in the 1950s and '60s. Reggie is the smooth-talking one who handles the business end of their, well, business, while Ronnie has a lust for violence and has spent several years in a mental institution after being diagnosed as a paranoid schizophrenic. The two own a club, get people to pay for their "protection," have rivalries with other gangs, and do all the things that you'd expect from gangsters of that period.
The emotional hook of the film is that some of the action is filtered through the perspective of Frances Shea (Emily Browning), who narrates the film and shows up early on as the woman wooed by Reggie, and who later becomes his wife. As a result, Reggie becomes more of our protagonist than Ronnie, as he is given something of a character arc, and because his thinking, loving character is more interesting than the brute that comes in the form of Ronnie, but only barely. This is the way the film wants to differentiate itself from other gangster movies, but in reality doesn't do much to change things up.
Legend has style to spare, with Dick Pope's cinematography delivering lots of pretty long takes, and Brian Helgeland's scene-to-scene direction ensuring that, even if the events on-screen aren't particularly interesting, at least he's going to present them to us in a way to try to stave off our boredom. Legend is Every Gangster Movie Ever in a lot of ways, but at least it looks pretty good. It has all the elements that you'd expect, although it frequently feels like it doesn't quite know what to do with them, or how to make them flow seamlessly and cohesively. It often feels like we jump from one event to the next because either (1) it's a gangster movie cliche we haven't yet hit or (2) it's an important event in the life of the Krays.