It saddens me that it will be some time before I can truly enjoy survival horror in a portable fashion. Think about it. ...

“[Games] are, in their superior forms, simply by-products of excess intellectuality, which I haven’t the honour to possess. In their inferior forms they ...

“That’s the old passage to Ravenholm. We don’t go there anymore,” she says. Why, then, does she let her sorrowful gaze linger just ...

Breaking the fourth wall – stepping through the barrier between what is “game” and what is reality – is still largely a gimmick. ...

The mid-’90s endured a glut of Myst-like point-and-click adventure games, and not many received fewer accolades than Take-Two’s maligned Black Dahlia. The film-noir ...

I love survival/horror – the creepy B-movie coolness of Resident Evil, the disturbing mellifluous nature of Silent Hill and even the cyber-terror of ...

Genre, as a tool for cinematic analysis, didn’t really come into its own until the 1960s. Drawing on their literary predecessors, critics during ...