The Prestige’s Greatest Trick Is Its Enduring Relevance

Barbie or Oppenheimer? Both!

James Mangold’s Filmography Charts a History of a Changing Hollywood

Wes Anderson’s Asteroid City Draws Attention to the Artists Behind the Art

Black Mirror Isn’t ‘What If Phones, but Too Much,’ It’s ‘What If Empathy, but Too Little’

The Key to a Great Series Finale? The Audience

I Think You Should Leave Is the Perfect Internet Comedy

Barry Gets a Hollywood Ending in the Series Finale

Succession Captures the Horror of a Post-Ideological World

Bupkis Reimagines Pete Davidson’s Life as a Sitcom