Experienced Points

Deus Ex – Boss Fights


The consensus seems to be that Deus Ex: Human Revolution is smart, polished, and atmospheric, as well as a worthy sequel to the classic from eleven years ago… except for the boss fights.

It’s been said that the boss fights are poorly balanced, but the problem actually goes deeper. The boss fights in this game were outsourced, and it shows in a lot of ways that goes beyond simple “balance” issues.

1. Forced-player stupidity.

I’m crawling through some sprawling complex of bad guys, using my vast array of cybernetic enhancements to slip invisibly through the web of foes and security systems. I make it to the very heart of the base without raising a single alarm. Nobody sees me. No camera glimpses me. I stick to the shadows, hack the security, lockpick the doors, jump the fences, and outwit the guards.

Then suddenly there’s a cutscene of me walking out in the open, under a spotlight, and striking up a conversation for no damn reason. I could have dropped them with a sniper shot or knocked them out, but instead I’m forced to suddenly behave like a character from a completely different, dumber game.

After blowing his cover and surrendering his first-strike advantage, my character allows the boss to sucker-punch him. There are four major cutscenes in this game where Adam Jensen stands there like a moron while bad guys sneak attack him and you watch helplessly. It’s like having schlocky bits of Resident Evil tucked into the middle of a techno-thriller.

2. Forced Gunplay

In a game that (rightly) sells itself as a dynamic experience where you can choose your own approach, it’s completely incongruous to have a point where suddenly your options are reduced to: Shoot guy.

This Ars Technica article defends the boss fights by pointing out that each character build is naturally going to have things it can’t do well. The combat-focused guy misses out on hacking computers and disabling security systems. The computer hacker character will end up routing around fights and getting more loot. It’s just part of the tradeoff.

Fair enough, except that the combat character can just stroll by those locked safes and secure doors and find some other way through. The hacker doesn’t have that option. If combat characters found themselves at a locked door and couldn’t proceed through the game until they opened it, then this would be a valid comparison. As it stands, there really is a “wrong” way to play this game, which happens to be the way most players want to play it.

3. Bad Gunplay

In the rest of the game your battles are against squads of guys. Your goal is to pick them off or sneak by them. These encounters are interesting and full of choices. The boss fights are one-dimensional, obvious, and boring. You do a tiny bit of damage to the bad guy. He does massive damage to you. Chip away at his health bar without taking more than one consecutive hit, or its game over. If you’re a stealth-focused character, or if you’ve sunk your skill points into the combat abilities that the bosses are immune to, then you are going to spend a good bit of time at the loading screen.

4. Bad Combat Taunts

You’re playing a sports game, like sports people do. Suddenly you destroy the morale of the other team with a single, well-timed cutting remark. Maybe something about someone’s mother. Your teammates high-five you. Everyone laughs. Then five seconds later, you say the exact same thing. People stare at you, because you just repeated yourself. Now you say it again, mechanically. Now people are laughing at you. You’re not clever. You’re a dumbass with no common sense, and you ran out of material two taunts ago.

Now imagine the same scenario, except the original remark wasn’t clever at all. It was the equivalent of “You guys suck!” That’s every boss fight in Deus Ex: Human Repetition.

I don’t know why game designers do this. Boss fights have been like this for years, and it’s always a silly immersion-breaker to have your foe repeat himself like an iPod Shuffle with only two songs. It’s particularly bad in this case, because the repeat interval is ridiculous. In one fight, I actually had the boss interrupt himself, so he could repeat the taunt he was already saying.

In the third fight, the taunts are actually self-refuting nonsense. I was standing in the open, drilling the idiot with minigun fire when he turned invisible and slipped away. Then he taunted me for “hiding” from him.

The taunts are on a timer and have nothing to do with what is happening on the battlefield. If you blast your foe in the kisser with the shotgun, his taunt will continue without so much as a stutter. It’s also confusing, since it feels like you aren’t doing any damage at all.

5. Bad Storytelling

This game is filled with vibrant characters. Everyone has an agenda to pursue, or a philosophy to share. Some are allies, some are rivals, and a few are a bit of both. Each of them gives us a view of the larger world by representing some group or way of thinking.

In contrast, the boss villains are flat clichés. They are archetypes and plot devices. They tell us nothing about the world or about the foe you’re fighting, or about why they would die to oppose you. They are just generic henchmen thugs with super powers.

It’s a shame Eidos decided to outsource the boss fights, and even worse that they apparently outsourced them to people who had no understanding of the rest of the game. Human Revolution is otherwise excellent, merging the robust depth of those late 90’s shooters with the polish and production values of today. But whenever we look back at this jewel of a game, our praise will always be followed by an asterisk, a disclaimer, an unspoken lament for the game that could have been. Yeah, the game was mostly awesome. Too bad about those boss fights.

Shamus Young is the guy behind Twenty Sided, DM of the Rings, Stolen Pixels, Drawn To Knowledge, and Spoiler Warning.

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