Original Release: 2005. Platform: Xbox/PC. Developer: Headfirst Productions. Publisher: Bethesda Softworks. Available on Steam
A few years ago, some writers of The Escapist newsroom had a chat about what makes a great horror game. After touching briefly on some favorite monsters, the conversation quickly turned to guns – or more specifically, whether guns should ever be included. Here’s the basic argument: Guns make players feel powerful, but horror is about feeling powerless. Shooting and killing monsters means you’re potentially stronger than them, which destroys any sense of fear moving forward.
It certainly makes sense on the surface. Survival horror made its comeback with Amnesia: The Dark Descent for a reason, quickly followed by Slender, Outlast, and Five Nights at Freddy’s. Even gaming classics like Silent Hill and Resident Evil were scary because of limited ammo and shoddy controls – fear was rarely an issue when you were adequately prepared.
But I can’t fully embrace the argument, mostly because of Call of Cthulhu: Dark Corners of the Earth. This game wonderfully captures a bleak Lovecraftian atmosphere that follows you at every turn. Sure, you spend roughly a third of the campaign without weapons – including melee options. But once you finally find guns, you’re reluctant to use them for fear of attracting enemies to the noise. There’s no HUD, so you’re never quite sure how many bullets remain in your clip. Actual combat is still incredibly deadly, demolishing your health with a few lucky shots. And thanks to Call of Cthulhu‘s sanity system, having bullets at all is a major problem when you lose control and turn that weapon on yourself.
Call of Cthulhu is the only game that’s handed me an M1921 Thompson submachine gun – the epitome of badass Prohibition-era weapons – and left me feeling nervous about what I might have to use it on. If you want weapons in your horror game, Dark Corners of the Earth is proof you can be powerful and powerless at the same time.
The year is 1922. You play as Jack Walters, a former police detective turned private investigator. Seven years ago, Jack experienced a traumatic event while investigating a Boston cult and lost half a decade to apparent insanity. Now he’s digging into the Mythos once again as a missing person case leads him to Innsmouth. The investigation quickly reveals an occult conspiracy tied to the Esoteric Order of Dagon, bringing Jack into conflict with Innsmouth locals and the supernatural forces they protect.
In many ways, Dark Corners of the Earth is an action-oriented remake of HP Lovecraft’s The Shadow Over Innsmouth. You follow the same premise of a stranger becoming aware of the town’s terrible secrets, merged with new details from Jack’s past. Dark Corners also borrows most Innsmouth story beats, including the iconic hotel escape and street chase. Later game chapters pick up where the novella left off, depicting the FBI’s Innsmouth raid and a journey to Devil’s Reef – important events referenced but never depicted in Lovecraft’s writing.
Yet even with the new content and action sequences, Dark Corners of the Earth is incredibly faithful to the Cthulhu Mythos. Every level embodies a bleakly oppressive atmosphere, especially during early chapters where Innsmouth citizens dismiss you without attacking you. Throwaway characters and locations from Innsmouth are casually slipped into the plot, like the Marsh family, the gold refinery, or the First National Grocery Store. Dark Corners even draws from the broader Mythos setting, incorporating Elder Signs, Cthulhu statues, the Yith, and a freaking Shoggoth into the story. It’s crystal clear that Headfirst Productions did its research and translated everything it could into a video game format. The end result plays like something Lovecraft would have created if he wrote games instead of books and lived beyond the 1930s.
Mechanically, Dark Corners of the Earth tweaks the typical FPS formula to make its world even more dangerous. Weapon reloads are done manually, so if you forget and draw your pistol later, you’ll hear a terrifying click. Instead of a health bar, wounds are applied to individual body parts, degrading your movement and aim without attention. One great touch is that health kits aren’t automatic health refills: They carry actual supplies! You’ll use bandages for lights wounds, splints for breaks, sutures for serious injuries, and antidote for poison.
Oh, and don’t forget, it’s incredibly easy to gain multiple wounds in combat, sometimes without realizing what happened until you start bleeding out. Always check for injuries after each gunfight and monster encounter.
Of course, mental health plays an essential role in most Lovecraft tales, and Dark Corners of the Earth is no exception. As the game progresses, a sanity meter quietly tracks your progress in the background. Reaching safe areas and killing enemies increases your sanity. Encountering monsters, discovering dead bodies, and looking at something frightening lowers it. Guess which happens more often? If your sanity gets too low, you’ll see the usual Amnesia-style visual distortions, but also experience hallucinations. Perhaps a ghostly NPC will whisper in your ear, or a Mythos figure will comment on your progress. But the most unsettling moments are when you realize Jack is talking to himself, sharing details from his mental break that he shouldn’t remember.
Dark Corners‘ sanity system was also a great way to represent Lovecraft’s greatest theme: That knowledge could be dangerous. Most levels are designed so you don’t have to study every detail to proceed… but aren’t you a little bit curious to know what each room holds? Perhaps you’ll uncover some fascinating Mythos lore or piece of Innsmouth history. Or you could look in the wrong place and spot a shambling horror, a ghostly NPC, or a murder scene where body parts are stuffed into filing cabinets. Sure, it’ll damage your sanity, but what gamer could resist hunting down Easter Eggs across Innsmouth’s decrepit streets? The only thing more insidious would be if Call of Cthulhu offered achievements for each horrific piece of knowledge gained.
Fit all these elements together and something special happens: Emergent gameplay. Dark Corners of the Earth is a fairly linear story, but its overlapping systems mean no two playthroughs will be exactly the same. You might get through most of a level, only to be shot down by an Innsmouth cultist. Then you’ll reload, only to trigger your sanity meter and see hallucinations for the entire second attempt. A third try might have you run out of ammo and attempt to heal your injuries under enemy fire. A fourth might see an Innsmouth citizen shoot at you from point blank range and miss, leaving you double-checking for wounds and marveling at your luck.
That’s not to say the game is without flaws, ranging from clumsy controls to lackluster vocal performances. But the good far outweighs the bad, and always kept me riveted to see what would happen next. While I absolutely enjoy weaponless survival horror games, if the genre ever decides to arm its protagonists again? I hope Call of Cthulhu: Dark Corners of the Earth is the template they build from.
Happy Halloween, and Cthulhu fhtagn.
