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<oembed><version>1.0</version><provider_name>The Escapist</provider_name><provider_url>https://www.escapistmagazine.com</provider_url><author_name>Bob Chipman</author_name><author_url>https://www.escapistmagazine.com/author/bob/</author_url><title>Disasterpiece - The Escapist</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="cwriEwQvB4"&gt;&lt;a href="https://www.escapistmagazine.com/disasterpiece/"&gt;Disasterpiece&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.escapistmagazine.com/disasterpiece/embed/#?secret=cwriEwQvB4" width="600" height="338" title="&#x201C;Disasterpiece&#x201D; &#x2014; The Escapist" data-secret="cwriEwQvB4" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>(NOTICE: This article may contain spoilers for the movie &#x201C;2012.&#x201D;) In October of 2008, The Guardian published a &#x201C;Life &amp; Style&#x201D; article by Kathryn Harris profiling a filmmaker with outlandish taste in home d&#xE9;cor. African masks and phallic sculptures shared floorspace with blasphemous paintings. Glass tables encased miniature dioramas of the JFK Assassination and Tiananmen Square. Repurposed scraps of warplanes served as headboards and dining-tables. Vintage propaganda portraits of Mao Tse-Tung adorned the walls, as did opulent taxidermy creations to rival the fantasies of any Great White Hunter. Outright political satire was also well-represented: The filmmaker &#x2013; a champion of [&hellip;]</description><thumbnail_url>http://www.escapistmagazine.com/global/media/images/articles/folder/475/ArticleImage.jpg</thumbnail_url></oembed>
