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<oembed><version>1.0</version><provider_name>The Escapist</provider_name><provider_url>https://www.escapistmagazine.com</provider_url><author_name>Bob Chipman</author_name><author_url>https://www.escapistmagazine.com/author/bob/</author_url><title>Grand Theft Objectivity - The Escapist</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="d3rh6MKf3L"&gt;&lt;a href="https://www.escapistmagazine.com/grand-theft-objectivity/"&gt;Grand Theft Objectivity&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.escapistmagazine.com/grand-theft-objectivity/embed/#?secret=d3rh6MKf3L" width="600" height="338" title="&#x201C;Grand Theft Objectivity&#x201D; &#x2014; The Escapist" data-secret="d3rh6MKf3L" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>The new Grand Theft Auto came out this week, expected to sell millions of copies and earn millions more dollars. The releases of hotly anticipated AAA video games have become bugbears for Hollywood movie studios in recent years, capable of swallowing up both the entire weekends and ticket-budgets of teen to thirty-something males the industry has come to rely on for the bulk of their earnings &#x2013; hence why the only things hitting theaters today (unless you&#x2019;re in New York or Los Angeles, in which case you can see the new Formula 1 melodrama Rush a week early) are the [&hellip;]</description><thumbnail_url>http://cdn.themis-media.com/media/global/images/library/deriv/26/26548.png</thumbnail_url></oembed>
