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<oembed><version>1.0</version><provider_name>The Escapist</provider_name><provider_url>https://www.escapistmagazine.com</provider_url><author_name>Susan Arendt</author_name><author_url>https://www.escapistmagazine.com/author/susan-arendt/</author_url><title>Review: Alan Wake: The Writer - The Escapist</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="4d2trrNn4o"&gt;&lt;a href="https://www.escapistmagazine.com/review-alan-wake-the-writer/"&gt;Review: &lt;i&gt;Alan Wake: The Writer&lt;/i&gt;&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.escapistmagazine.com/review-alan-wake-the-writer/embed/#?secret=4d2trrNn4o" width="600" height="338" title="&#x201C;Review: &lt;i&gt;Alan Wake: The Writer&lt;/i&gt;&#x201D; &#x2014; The Escapist" data-secret="4d2trrNn4o" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>If you read my reviews, you know that I thought Alan Wake was fantastic, but its first batch of DLC, The Signal was a near-complete waste of time. The main game interspersed satisfying chunks of story with tense combat sequences, maintaining tension throughout. The DLC, on the other hand, was just one fight after another, and while the combat was well done, the lack of story elements made The Signal feel off-balance when compared to the original game. I was worried that The Writer, the final batch of DLC, would take the same approach, but it delivers exactly the ending [&hellip;]</description></oembed>
