<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>The Escapist</provider_name><provider_url>https://www.escapistmagazine.com</provider_url><author_name>Marla Desat Legacy Author</author_name><author_url>https://www.escapistmagazine.com/author/marladesat/</author_url><title>Rocksmith 2014 Dev Video Shows Off New Look, Menu - The Escapist</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="EXAxza6GWn"&gt;&lt;a href="https://www.escapistmagazine.com/rocksmith-2014-dev-video-shows-off-new-look-menu/"&gt;&lt;i&gt;Rocksmith 2014&lt;/i&gt; Dev Video Shows Off New Look, Menu&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.escapistmagazine.com/rocksmith-2014-dev-video-shows-off-new-look-menu/embed/#?secret=EXAxza6GWn" width="600" height="338" title="&#x201C;&lt;i&gt;Rocksmith 2014&lt;/i&gt; Dev Video Shows Off New Look, Menu&#x201D; &#x2014; The Escapist" data-secret="EXAxza6GWn" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
/*! This file is auto-generated */
!function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l&lt;n.length;l++)n[l].style.display="none";for(l=0;l&lt;i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3&lt;(s=parseInt(t.value,10)))s=1e3;else if(~~s&lt;200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n&lt;i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document);
&lt;/script&gt;
</html><description>The Creative and Art teams share how the sequel&#x2019;s aesthetics have moved away from the &#x201C;man cave&#x201D; style of the original game. Feeling like a big star playing to a loud, sold-out crowd is great when you have mastered the elaborate solo, but when you stutter through it twenty or thirty times, trying to get it perfect, an empty practice room feels less intimidating. &#x201C;Open, airy, nice, and friendly,&#x201D; is the feeling that the developers say they were going for with the sequel to the original Rocksmith. In a video released today, the development team at Studio SF in Ubisoft&#x2019;s [&hellip;]</description></oembed>
