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A few months back, I wrote about the original Dungeons & Dragons rules. To be clear, I wasn’t reviewing the game from a play point of view. That’s been done many times over the years. Instead, I examined the three booklets for insight on how they presented the rules, and what that told us about how the game was played and presaged what was to come. As someone who’s been tasked with writing RPG rules myself, it’s interesting to see how it was done at the genesis of the hobby.

Just as interesting, however, is the dramatic evolution in the early products that followed. When we look at the various supplements (Greyhawk, Blackmoor, and Eldritch Wizardry) we get a glimpse of how the game’s play was changing and how the rules had to (quickly) adapt. As any experienced designer will tell you, how you write the game rules shapes gameplay, but it’s gameplay that shapes how you write supplements.

New Options

The most obvious thing the three books present is the new “stuff:” New classes, new spells, new monsters, and so on. Obviously, the driving force behind these books is a simple player demand: More! Give us more!

Among its many innovations, for example, Supplement I: Greyhawk introduces thieves. This is significant because we suddenly see that players want to do more than just fight monsters and cast spells. Without a doubt, before the advent of the thief class people were sneaking up on monsters, picking locks, and climbing walls, but now these tasks were codified by creating a specialist that excels in them.

Inadvertently, of course, what these new rules also do is suggest that it’s impossible for non-thieves to attempt these tasks. By adding options, others are removed. Before, if a player wanted his character to climb something, the DM just winged it, perhaps not worrying about rules for success or failure at all. Now the thief has a percentage chance to climb a wall, but the fighting man has no such score, implying that he can’t even try. Definition leads to limitation, but this is a lesson not learned for a long time. For now, D&D players who got their hands on Supplement I were thrilled.

New classes and features were introduced to the game at a frenzied pace. With all the possibilities available in the game already, it’s hard to imagine that by the time Eldritch Wizardry came out people were bored with all the spells and magic items. So why introduce psionics, which layers in a whole new way for PCs to have special abilities?

It was because of all the other options available. As the amount of content grew, it became easier for players to replicate the fantasy and science fiction of the time. Psionics were likely introduced not because they were good for the game, but because they existed in so many sources outside of it. D&D was quickly becoming a way to emulate fantasy fiction that hadn’t existed before.

Detail

Further, the spell, monster, and magic item descriptions change in Supplement I and exacerbate with Supplement II and III. Each of these aspects are presented with a greater level of detail and a more elaborate explanation in each release. Consider the single sentence that the gorgon receives in Monsters & Treasure with the virtual treatise on sahuagin given in Blackmoor.

We also start to see more and more notes on how one spell might interact with another spell or magic item. The designers, obviously, began to realize that they were creating a vast matrix of abilities and powers that not only changed reality, but had to exist within a reality that would change again the very next round. Nothing could be added to such a game without first considering the effect it might have on all other aspects of the game. Could the effect be dispelled? What happens in area of antimagic? Does it work on magic materials?

So great was this need for clarification and context that many of the spells and rules of the original books receive “additions and changes” in these supplements as well. Reading through them is like reading through a list of answers to questions you’ve never asked. Obviously, though, someone was asking these questions, and Gygax and company felt they needed to be answered.

Here, then, is a wonderful example of gameplay driving rules writing. Looking at all three of these books, you get the sense that the rules in them are not just part of a game that a lot of people are playing, but are pushing to its limit. It is, in its own way, invigorating. It makes you want to play the game.

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Temple of the Frog

When people refer to themselves as “purists” who like their D&D to have solely the flavor of medieval Western Europe, I like to remind them that the first published D&D adventure had powered armor and laser guns. The game has always been a wonderful mishmash of all things fabulous, regardless of genre, culture, or myth.

From a game material presentation point of view, however, the Temple of the Frog in the Blackmoor supplement is worth a long look. In addition to the inclusion of the artifacts (and their histories), the demon princes, the planes, and other material, the Temple of the Frog begins to build a shared D&D meta-setting. The idea blossomed (and remained for decades) that while you could create your own campaign world, there would always be a Demogorgon, a Vecna, and an Astral Plane involved. This meta-setting concept is one that is, as far as I know, unique in any medium and proves to be a powerful tool years later when people begin talking about the “D&D brand.”

Greater Reliance on the Rules

Woven throughout the three supplements is a growing need to define aspects of the game in a concrete way. This, coupled with the expansion of detail, is the most significant change for D&D. The original booklets give nothing more than the barest framework and assume that the rest will be filled in by the DM. While this assumption doesn’t disappear, it becomes clear that Gygax and his fellow authors felt the need to develop a rules authority that simply wasn’t present in the first three booklets.

I would argue that this need didn’t originate with the designers, but instead with the players. There is a type of player who refuses to look beyond the printed word for rules authority. They need canon, they need official rulings, and they need concrete rules. And they’re a vocal bunch. One can easily imagine the little offices in downtown Lake Geneva beset by bags of mail asking rules questions and seeking clarifications and adjudications. (In fact, I know this was the case, and that they eventually had to hire a full time employee to answer this mail.)

For these people, “let the DM decide,” or “just use your own imagination,” are not acceptable answers. So with the development of these D&D supplements, you can see the evolution of the game’s rules transitioning from a framework with guidelines and suggestions to concrete rules. This progression would continue into Advanced Dungeons & Dragons, where the rules became, arguably, more important than the players.

This may be the most important development of all, because although the issue would be given different labels and different biases, it would set the stage for most of the debates over the roleplaying game experience that would come in the next three decades: roleplaying vs. rollplaying, storytelling vs. rules, and narrativist vs. gamist.

The first few RPG supplements ever produced reveal many things about the early days of roleplaying. It’s fascinating to see not only how the game developed, but how these early books shaped the way that RPGs would be written for the next 35+ years.

Monte Cook is the co-designer of D&D 3rd edition and 20+ years of other game stuff. Currently, he’s hard at work on www.dungeonaday.com, which offers new game content every weekday.

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