While Black Isle is probably best known for their work on the Baldur’s Gate series and Planescape: Torment, they made a name for themselves by spurning a tabletop legend, introducing a game by shooting a man in the head and dropping Douglas Adams references into a nuclear wasteland. In its genesis, Fallout was a Biblical affair, grim, humorless and rooted in the tabletop RPG ephemera of the ’80s. Out of this chaotic beginning, Black Isle created a gritty, tongue-in-cheek adventure that irrevocably changed the way we look at the End of Times. The series has recently found new life at Bethesda Softworks and a new generation of gamers raised on Halo and Knights of the Old Republic are soon to experience their first taste of Fallout‘s irradiated, hilarious world.
The original Fallout was supposed to be a completely different game. The developers had originally enlisted the help of Steve Jackson, whose tabletop rule system, Generic Universal Roleplaying System (GURPS), was to be the framework for their post-apocalyptic adventure. Black Isle was hoping to get Jackson’s stamp of approval in order to drum up sales. However, Jackson pulled his support for Fallout after viewing the opening scene, which he found too violent. As a result, Black Isle was forced to go it alone, creating their own rule system, “SPECIAL .”
Their straightforward design hung all character actions on a series of simple attributes and skills, and nearly matched the degree of flexibility seen in Jackson’s GURPS. This open-minded outlook extended to the gameplay and story, as well. The “do what you want” sandbox concept made famous by Grand Theft Auto and The Elder Scrolls series was still something of a rarity in 1997. (For instance, Fallout‘s competition that year was the on-rails Japanese RPG Final Fantasy VII.) By empowering players, the Black Isle developers made the game world’s drama and emotion more poignant. The dystopian imagery and black humor laced throughout the game drew the player in, making him a party to a joke that was one-third funny and two-thirds horrifying. In short: it worked.
Fallout 2 was even more robust. The pre-existing engine allowed the designers more time to develop the second title’s story, and as a result, Fallout 2‘s dark humor was sharp enough to cut glass. In the original game, players were charged with finding a rare “water chip”, a piece of high-tech doodadery without which the player’s family and friends in “the vault,” an air-tight fallout shelter, might perish. The resulting quest is epic in scope, and finding the water chip begins to feel akin to searching for the Holy Grail. In the sequel, while searching through another fallout shelter, the protagonist stumbles upon boxes and boxes of water chips … all lying around for the taking. Later in the game, the protagonist has the option to enter a portal that leads to the past. There the hero finds himself in an isolated area of the original Fallout‘s shelter. As he moves around in the enclosed space, the hero enters an incorrect command into a console. The system informs him that, indeed, he has broken the shelter’s only remaining water chip. You gotta love a game design based on nihilism.
The series is a testament to a type of game we don’t see much of in a console-focused, MMOG-obsessed industry. Literate, effortlessly funny, sprinkled with social commentary and very, very dark, the two Fallouts became cult classics, and a rabid fanbase demanded follow-ups, and indeed a third installment was planned – and abandoned. More than 10 years after Fallout debuted, Fallout 3 is still nowhere to be found .
Interplay, desperate for cash near the turn of the century, pimped out the license for the Fallout series to developer Micro Fort
Interplay announced they are working on a massively multiplayer version of Fallout. Aware that the company was deep in debt to a wide array of business partners, Fallout‘s fanbase despaired further. Would a half-assed MMOG further disenchant RPG players who had already endured Tactics and Brotherhood of Steel? Had the apocalypse finally turned grim – for good? Apparently not.
Thankfully, those missteps around the turn of the century didn’t kill Fallout for good. Roughly six months after Black Isle closed, hope arrived from the East, in the form of RPG juggernaut, Bethesda Softworks. In July of 2004, the makers of the best-selling Elder Scrolls series announced they had licensed the IP from Interplay to create a third sequel to the original game. While fans still hope to see the inside of the Vaults again, Bethesda has had little to say about the game since the original announcement, working in silence, polishing Oblivion, and quietly moving on to perfect their own vision of Fallout‘s wasteland.
As the games themselves have proven, there’s always some reason to hope. Early last month, Bethesda Softworks surprised fans by purchasing the Fallout IP from Interplay outright. Even more gratifying, the sale came with stipulations: The Fallout MMOG is still under development, but now Interplay is the one licensing from Bethesda. Bethesda has also set up a number of specific guidelines and goalposts Interplay must meet, insuring that Fallout‘s one-time caretakers now have to live up to the new sheriff’s standards. To ensure they get to keep the license, Interplay must begin development within the next 23 months, and the game has to launch sometime around 2010.
Announcements in the past few months have been sparse. Bethesda Executive Producer Todd Howard declined to comment on the game for this article. Just the same, there is a lot to look forward to. With Oblivion now available in stores and a public declaration that no further expansions will be forthcoming, Bethesda is free to devote all of its efforts to the Fallout franchise.
A teaser video is scheduled to become available on June 5. It’s likely to show, for the first time, the nuke-scarred ruins of the east coast; the concept art on the official Fallout 3 site shows the remains of the Capitol building in Washington, D.C., and the remains of a D.C. area naval yard, which makes sense. Bethesda is based in … Bethesda, and most writers (and game-makers), after all, tend to work from what they know. If you liked playing in the post-apocalyptic wasteland of the American West, in other words, chances are you’ll love shooting rad scorpions on the White House lawn.
We also know Bethesda will be continuing the tradition of strong voice actors for the game. Though it’s unknown at this time if series staple Ron Perlman will be providing any voiceovers (“War never changes …”), the Academy Award-winning actor Liam Neeson will play a prominent role in the game as the protagonist’s father. As opposed to Patrick Stewart’s vaunted but brief appearance in Oblivion, Neeson is reportedly going to help to establish the game’s unique tone throughout. And as the series’ first two installments proved, tone is everything.
Fallout not only set the trend for the post-apocalyptic gaming genre, it practically is the genre. Just last month, Game Informer interviewed Brian Fargo, the former head of Black Isle Studios. Speaking fondly all these years later, he said, “There was really nothing else like it at the time. It was something unique.” Judging from the chatter on message boards, the posts on blogs and the comments on news sites, there still isn’t anything else like it today. Not yet, anyway …
Michael “Zonk” Zenke is Editor of Slashdot Games, a subsite of the technology community Slashdot.org. He comments regularly on massive games at the sites MMOG Nation and GameSetWatch. He lives in Madison, WI (the best city in the world) with his wife Katharine. Michael is not a game journalist.