The Needles

The Needles: The Gamers’ Bill of Nice Ideas


I somehow managed to miss hearing about this when it happened, but a couple of weeks ago, Stardock and Gas Powered Games decided to take the initiative in addressing some of the difficulties facing PC gamers today. The two companies, currently working together on the RTS/RPG hybrid Demigod, put together the “Gamers’ Bill of Rights,” a ten point manifesto that lays out a simple set of principles for smoothing the rough seas of an era in which the videogame industry appears to be growing increasingly hostile toward its own audience.

I’m all for the idea. Not that I think there’s anything particularly wrong with the way the industry operates these days, but as a dyed-in-the-wool PC gamer I don’t enjoy watching mainstream gaming consciousness shift toward consoles while at the same time the relationship between publishers and players grows increasingly contentious. I’m ready to embrace just about anything that can help reverse those trends.

But the Bill of Rights ain’t one of those things. Despite looking good at first glance, most of the ideas contained within are hopelessly vague, a flaw that leaves it little more than a feel-good finger-wag at the usual suspects. It’s a ten-point equivalent of stamping our feet and telling game publishers to “stop being so mean,” and as a document intended to inspire real change, it barely qualifies as a good first step.

The first “right” demanded on behalf of gamers is “the right to return games that don’t work with their computers for a full refund.” Reasonable if you say it quickly, perhaps, but in reality it’s incredibly problematic. Aside from the obvious concerns about people who buy, copy and return games, who determines when a game just “won’t work?” Who eats the cost of the refund? And perhaps most importantly, in an industry as obsessed with anti-piracy efforts as this one, how are you ever going to convince major publishers to even consider the idea?

Similarly, the demand for a right to expect that games “won’t install hidden drivers or other potentially harmful software without their express content” is an admirable concept that’s easily hamstrung by arguments over what constitutes “potentially harmful.” The simple answer is to avoid anything and everything that could be construed as such, but again, the industry’s burgeoning love affair with increasingly-complex copy protection schemes makes it extremely unlikely to happen. And while it’s easy to say that the interests of the industry aren’t relevant – these are gamers’ rights, after all – the fact is that without some level of cooperation, the Bill of Rights becomes about as meaningful as a dull internet petition.

It gets even hairier from there. The document suggests that gamers should have the right to “demand that games be released in a finished state,” and also “to expect meaningful updates after a game’s release.” But what’s finished, and what’s meaningful? Patches? Downloadable content? Are companies allowed to charge for their post-release offerings? What about a game like Battlefield: Bad Company, in which EA planned to hold back certain material for gamers willing to pay extra for it? Does the game break the first demand or fulfill the second?

The suggestion that “Gamers shall have the right to expect that the minimum requirements for a game will mean that the game will adequately play on that computer” is even harder to nail down. The Random House Unabridged Dictionary defines “adequate” as, “as much or as good as necessary for some requirement or purpose.” It would be safe to say, then, that this is not even close to “adequate” as a useful statement in relation to videogames. Minimum requirements are just that: The bare minimum necessary for a game to run. If you want “adequate” gameplay, get an “adequate” computer.

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And then there’s my personal favorite: “Gamers shall have the right not to be treated as potential criminals by developers or publishers.” I don’t even know where to begin with this one. Circuit City treats its customers as potential criminals by installing anti-theft devices in the products on its shelves. Banks treat their customers as potential criminals by demanding collateral for loans. Home owners treat the entire world as potential criminals by installing alarm systems. Any business or individual that takes steps to protect its products or property is treating someone like a potential criminal. Suggesting that the industry is somehow making gamers wear a scarlet “WAREZ” on their chests is nothing more than inflammatory rhetoric that serves no useful purpose whatsoever.

Many of the remaining demands in the “Gamers’ Bill of Rights” are just refinements of that basic point. The right to re-download the latest version of owned games at any time, for instance, or the right to not be forced to connect to the internet to play a single-player game are variations on a theme: Demands that the industry bring an end to draconian DRM schemes. I completely sympathize with this sentiment; most of the latest and greatest methods of copy protection are unnecessarily intrusive, do nothing to prevent serious piracy, and sometimes penalize gamers who have legitimately purchased a company’s product. It’s not just a futile effort, it’s actually damaging to the industry.

Which is an interesting little twist, because that’s the one and only real right that gamers have, and also the only one they really need: The right to not buy this stuff. The right to say, this is bullshit and I’m not going for it. We have a right to exercise our freedom as consumers to punish companies whose excesses we can no longer tolerate by refusing to give them our money. It’s a very simply principle, and it’s also the only one by which we can reliably force change: By depriving publishers of the one thing that really matters to them.

The “Gamers’ Bill of Rights” is obviously far more a populist rally cry than a serious political statement, and has to be taken as such. It’s not something to get too wound up about. The proposal may have some merit as a jumping-off point for discussions about the videogame industry and maybe the development of serious ideas for the future; there’s no doubt that things could be better than they are, and I’d be thrilled to see game publishers lining up behind some of the more salient points made by Stardock and GPG. But implying that gamers somehow have a right to expect these behaviors, particularly when they’re so ill-defined, is misleading and unfair. Nice ideas? Step in the right direction? Helpful suggestions to keep the industry from shooting itself in the foot? Absolutely. But let’s not kid ourselves that there’s anything more to it than that.

As a Canadian citizen, Andy Chalk is well-versed in the concept of universal human rights, and he doesn’t think this shit’s gonna hold water.

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