Alejandro Inarritu’s follow-up to Birdman is already drawing some strong reactions from audiences…and not all of them positive.

Until this point, what we’ve known about the Alejandro Inarritu-directed, Leonardo Dicaprio-starring The Revenant was that it had gone some $40 million over budget, nearly resulted in the castration of an extra (depending who you ask), and was described as “the most difficult film that any of us have ever done,” by Dicaprio himself.

“It was like rock climbing without a rope,” chimed in Inarritu.

“There is no way down. You have to go up or you die. There was no choice for us.”

Apparently, that difficulty carried over to the audience on Monday night, when a packed house at the Academy of Motion Picture Arts and Sciences’ Goldwyn Theater in Beverly Hills was treated to an early screening of The Revenant and got much more than they asked for.

The Hollywood Reporter passes along word that, while well-received by most in attendance, The Revenant contained several scenes that were simply “too gory” for some to handle, resulting in a handful of audience members walking out from the screening before it had finished.

Reviews have been embargoed until Dec. 4, but the film – which is about a fur trapper, left nearly for dead after a couple of vicious attacks by both men and beast, who then embarks on a quest for both survival and revenge – is already provoking strong reactions, many pro but some con. It is long (running more than two and a half hours), gorgeous and gruesome (several people walked out throughout the movie, apparently unable to take the gore). And while many critics are likely to love it, it is decidedly not everyone’s cup of tea.

Given the backlash that Birdman received from certain online communities following its “Best Picture” win, it’s understandable that a mostly silent movie about 1800’s frontiersman wouldn’t exactly be everyone’s “cup of tea” (although personally, I will drink the entire pot of that tea in one serving and demand seconds). But critics do seem to be in agreement about one thing: The Revenant *will* be the movie that finally earns Dicaprio his Oscar.

“DiCaprio – who has received four acting noms over the course of his career, but never has won – couldn’t have done a better job and looks like the man to beat in the best actor race,” writes The Reporter.

“His almost silent performance, with its incredible physical demands, is the sort Clint Eastwood might have given if he had DiCaprio’s drive and discipline as a young man.”

Even higher praise was given to Revenant cinematographer Emmanuel Lubezki, who previously worked with Inarritu on Birdman, winning an Oscar of his own in the process to pair nicely with the Oscar he won for Gravity the year before.

“Lubezki is, in all likelihood, going to become the first lenser in history to win three consecutive Oscars. (Three others also won two in a row.) His work on this film, which ranges from silhouetted figures and vast landscapes to riveting battle scenes and 360-degree shots, is showy in the very best sense of the word, and certain to be remembered by his peers (who determine the category nominees), and probably the larger Academy.”

So to recap, the things the The Revenant has going for it are: The director of Birdman, the cinematographer of Gravity, Tom Hardy, Leonardo Dicaprio, bears, beards, and enough blood to make you physically ill. I suppose this is the part where I tell whoever’s in charge of this thing to shut up and take my money already.

Source: The Hollywood Reporter

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