With just one planned DLC adventure yet to be released for Fallout: New Vegas, it’s time to take a look at the first three DLC offeirngs so you can decide which – if any – are going to be worth your time this summer. Let’s take them in order of release.
Dead Money
Dead Money drops you into a twisted setting dominated by the long-forgotten Sierra Madre casino and populated by holograms, odd “Ghost People,” and a handful of mismatched characters on their own adventures. Your quest in this adventure is to participate in a heist, specifically the looting of the Sierra Madre which has lain dormant since its opening day. Said opening day being, coincidentally, the first day of the ancient nuclear war that turned the Fallout world into what it is today.
Each character you meet has a part to play in the heist, all of which is being orchestrated by a mysterious madman with whom you face off in the end. Although the casino itself is a major let-down after the often tedious adventuring it takes to get into it, the DLC as a whole is a unique and interesting experience.
It’s interesting to look back at Dead Money now, after having played the subsequent two DLC adventures. In my original review of Dead Money, I recommended it as a must-buy, specifically noting its narrative and innovative transformation of New Vegas from post-apoc RPG into a survival-horror adventure.
In short, Dead Money is a near-perfect expansion. It breaks the style and mechanics of the original game just enough to offer something truly unique – but not so much that it feels out of place – and adds enough new content to give players a reason to spend even more time with the game than they already have (I’m at 200+ hours and counting). The story is inventive and enjoyable (if a touch overwrought at times) and all of the new elements are welcome additions. I finished playing Dead Money wishing it had been longer – or that the main game of New Vegas had shown as much polish and inventiveness.
That’s high praise. So what’s changed? Dead Money may shine compared to the main New Vegas game, but it pales in comparison to Honest Hearts and Old World Blues, both of which raise the bar substantially not just for DLC in general, but specifically for Fallout adventures. If Dead Money were the only DLC available for New Vegas, I’d still consider it a must-buy for the uniqueness of the experience alone, but it’s not, and having had a chance to go back to it after playing the latest two adventures, I have to walk my initially glowing praise back a bit and call it a “maybe.”
Honest Hearts
Honest Hearts is a whole other kettle of Geckos. Set in what used to be Zion National Park, Honest Hearts will fill you in on the back story of the legendary “Burned Man,” as well as give you a chance to decide the fate of the tribals living in Zion, whom the Burned Man has been protecting from Caesar’s Legion.
On my first playthrough of Honest Hearts I inadvertently killed the main quest-giver while fending off a tribal ambush. I didn’t know this at the time, of course. As soon as the tribals opened up on me, this dude came running right through the battle lines and I mistook him for someone trying to kill me. It was only after I finished the adventure, having run the entire thing in about three hours never once encountering a friendly NPC, that I suspected something had gone horribly wrong.
That said, having obliterated the main quest, the game was still plenty of fun. I was able to secure the object I was sent to retrieve and the exploration was just as much fun as it would have been if I’d done it “correctly.” There was just a lot more combat and a lot less talking. Which, sometimes, is a good thing.
Playing the game as-written, you’ll meet Joshua Graham, AKA the Burned Man, along with a member of the New Canaanites. Both Graham and Daniel are trying to save the tribals, but each has a slightly different agenda. You get to choose whose side will win out.
Throughout the course of the adventure you’ll pair up with a handful of different tribal warriors, each with a story and a unique perk. You’ll also score some new weapons and items. The silenced .45 caliber automatic is a fun thrill, as is the Smokey Bear hat and a suite of ranger combat armor that won’t flag you as a member of the NCR.
What really makes Honest Hearts sublime, however, is the scenery, the haunting exploration and how seamlessly it fits into the overall New Vegas experience while simultaneously putting the larger game to shame.
Old World Blues
Old World Blues, released in July, is something yet again wholly different from both the previous two DLC adventures, as well as New Vegas itself, yet, strangely, it’s the DLC that feels the most like Fallout.
Old World Blues dumps you off in a semi-abandoned research facility deep in the desert, removes your brain, spine and heart, replaces them with perk-giving cybernetics and tasks you with ridding the facility of the mad scientist who’s taken it over in the intervening years since the Great War. To say this is an odd start for an adventure is putting it mildly, yet the oddness of the adventure’s beginning is just scratching the surface.
Your quest-givers are a group of floating, disembodied brains (the “Think Tank”) and you will share your new home with a gaggle of robotic companions with odd personalities such as Light Switches 1 and 2 and Muggy, the neurotic, miniature securitron whose sole purpose in life is to clean coffee cups. Locating and reinstalling these personalities is one of the collection quests. Each offers to perform optional, but interesting tasks and you can turn them off again after reactivating them, but I chose not to. Muggy in particular quickly became one of my favorite Fallout characters ever.
The research facility itself, called “Big Mountain,” or Big MT for short (and referred to as “Big Empty”), is both smaller and more fascinating than the environs of the Mojave depicted in New Vegas; simply exploring the world and uncovering the origins of many of Fallout‘s pre-war technologies and creatures easily rivals (if not surpasses) the joy of following the adventure.
Banging on the edifices of Big MT will quickly yield a variety of weapons and items unique to this adventure, like the Plasma Defender and Sonic Emitter, the latter of which is adjustable and integral to the main quest. You will also discover an advanced stealth suit that you will activate and upgrade by taking part in a number of Portal-esque scientific experiments. If Dead Money was Fallout-as-survival/horror, then parts of Old World Blues can rightly be called Fallout-as-stealth/adventure, finally giving players a good reason not to blow off the sneak stat and go in guns a-blazing. But should you decide to go in guns a-blazing anyway, the upgradeable .357 caliber minigun with a disembodied dog brain tracking system will get the job done quite nicely. Plus it will bark to alert you to the presence of nearby enemies, giving a whole new meaning to the term “man’s best friend.”
Berserk securitrons, cyberdogs, maniacal lobotomy patients, robo-scorpions and animated, formerly-living researchers wearing powered safety suits (Half-Life, anyone?) are the unique enemies you will encounter in this DLC, and each presents unique challenges. The adventure as a whole should take 8-15 hours, depending on how much time you spend exploring, and is as rollicking and fun an adventure as has ever graced a Fallout game.
Bottom Line: Each of the three DLC adventures offers something different, but of the three Old World Blues is by far the most interesting and engaging. Dead Money will show you a side of Fallout you would never have expected and Honest Hearts, while a bit short, rounds out the main game adventure very nicely.
Recommendation: Each DLC is worth the money for die-hard Fallout players, but those on a budget would do well to start with Old World Blues and then grab the other two with whatever spare points you find laying around.
Russ Pitts is the Editor-in-Chief of The Escapist.
